July 31, 2008

like a seer (v.h.)

Rosette ca. 1856, Pen and brown-ink wash on vellum paper folded twice. 8"x 7"

What Victor Hugo was searching for in these drawings were signs that would stimulate his imagination and suggest directions for his pen. Hugo interpreted these foldings, not for psychological purposes like the Swiss physician Hermann Rorschach with his famous tests introduced in 1921, but like a seer. He developed the symmetry, discerned resemblances, discovered figures and carried out all kinds of permutations. Reversal (or, better still, reversability), metamorphoses and fusion were themes so firmly rooted in Hugo's praxis that one commonly finds in his compositions a landscape reflected in water or a figure that reads equally well either way up. ---Florian Rodari.

Octopus with the initials V. H., ca. 1866, Ink wash on paper

Ma Destinée, 1867, 17.4 cm x 25.9 cm

July 3, 2008

Rock My Religion (1982-84) by Dan Graham on ubuweb

Rock My Religion (1982-84) by Dan Graham (b. 1942)
1982-84, 55:27 min, b&w and color, sound




Rock My Religion is a provocative thesis on the relation between religion and rock music in contemporary culture. Graham formulates a history that begins with the Shakers, an early religious community who practiced self-denial and ecstatic trance dances. With the "reeling and rocking" of religious revivals as his point of departure, Graham analyzes the emergence of rock music as religion with the teenage consumer in the isolated suburban milieu of the 1950s, locating rock's sexual and ideological context in post-World War II America. The music and philosophies of Patti Smith, who made explicit the trope that rock is religion, are his focus. This complex collage of text, film footage and performance forms a compelling theoretical essay on the ideological codes and historical contexts that inform the cultural phenomenon of rock `n' roll music.


Original Music: Glenn Branca, Sonic Youth. Sound: Ian Murray, Wharton Tiers. Narrators: Johanna Cypis, Dan Graham. Editors: Matt Danowski, Derek Graham, Ian Murray, Tony Oursler. Produced by Dan Graham and the Moderna Museet.